photography

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There are a couple of ways to shoot infrared images and this is the simplest if not the most efficient. Every digital camera has a filter that is designed to prevent infrared light from hitting your sensor. Infrared light, given the right equipment, is just as visible as the light in our ‘normal’ spectrum, just not to the human eye. However, if you can make your camera see this end of the light spectrum then you can really get some ethereal results. Once your camera sees infrared, leaf-covered trees become a glowing white, blue skies become black and lakes take on the appearance of a deep, dark, tar pit.

These pictures were taken on a Nikon D70 – a camera especially well suited to IR – with a IR filter on the lens. This means that you will be taking a long exposure; most of my images were around the 20-30s mark even in bright sunshine, and then converting your shot to black and white. Don’t forget your tripod. Set your aperture, focus your shot without the filter, switch your lens to manual focus, put on your filter, lengthen the exposure time and don’t forget – check your histogram!

When you take the shot you will see a red/pink image on your screen. To turn it into these magical black & whites you need to do some post-production. Nik Silver Efex 2 is ideally suited to the task. I generally use the the Fine Art filter, followed by just a touch of the ColorEfex Glamour Glow. That combination really brings out the other-wordly aspect of IR photography.

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So now that the rugby league season in Toronto has been brought to a successful conclusion, I’m left with the question as to what I should be looking to photograph over the winter. The Toronto Wolfpack won’t be back in town until at least early May which leaves a bit of a void in the plans of this newly-minted international sports photographer!

Here in Canada the thoughts of the athletic now turn to our two national games, hockey (ice variety) and lacrosse. The latter is our official national game, but the former is the one that every child is brought up to play. My plan is to get to the open pre-season sessions of our Toronto Rock NLL team and see how different it will be shooting inside an arena as opposed to a sunlit, outdoor field. White balance will be completely different as will the overall lighting conditions, but a custom WB should resolve the first of those, while I know that the D610 can produce fine, noise-free pictures at ISO ratings at least up to 1600 if not 3200.

And then there’s my film photography. During the summer I had a trip to B&H in New York and picked up a stack of film, which is now sitting happily in my film freezer in the basement.

Untitled

I also have plenty of film that I picked up over the last 18 months. All my film goes directly into the freezer so there’s no concern over expiry dates.

Winter should produce some ideal conditions to try out the new Film Ferrania P30 as well as some of the other colour films I have. I recently shot a roll of Lomography 400 which turned out beautifully, so I hope to get some more of that one done.

New York & Pennsylvania
The Zippo Museum, Bradford, PA. Lomography 400, Nikon F90x

We’re hearing that Ektachrome will be back in early 2018, so that’s something to look forward to. Fall also looks to be the ideal time to shoot 120 Ektar, which delivered some excellent, richly coloured, results the last time I shot it.

Barn, Ontario
Barn, Ontario, Kodak Ektar 100, Rolleicord Vb

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